Script Breakdowns: Turning a Script Into an Executable Plan
- Lower Rated
- Sep 9
- 6 min read
A script breakdown is where you turn words into logistics. You read a scene, identify every thing and every person the story needs, record those items in a standard format, and hand clear reports to each department. The result drives scheduling, budgeting, casting, locations, safety, and call sheets.
If storyboards show how a scene will look and shot lists say what to shoot, the breakdown tells you what the shoot requires.

What a breakdown delivers
Per-scene sheets: with all required elements
Department roll-ups: props list, wardrobe list, set dressing list, SFX/VFX, stunts, vehicles, animals, music, equipment, security, and so on
Counts: that feed schedule and budget: day vs night, INT vs EXT, location frequency, cast DOODs, extras volume
Risk and complexity flags: safety concerns, weather dependence, reset time, special permits
Notes: for the AD team and department heads
Do this well and you avoid surprises on set.
When to run breakdowns
After a locked draft or a stable “production draft”
After you agree on the storyboard and shot strategy at a high level
Before scheduling and budgeting
Update breakdowns any time a rewrite lands or a board changes the requirements.

The core method: how to read and tag a scene
Context
Scene number and slug: INT. GARAGE – NIGHT
Scene length in pages. A common rule: one page ≈ one minute.
Priority and complexity so producers know where to spend time.
People
Speaking cast by role name and actor code
Non-speaking cast and extras with counts
Stunt doubles, photo doubles, stand-ins
Special skills: driving, swimming, fight, instrument, dialect
Wardrobe, makeup, hair
Specific outfits or continuity changes
Dirt, blood, burns, age makeup, prosthetics, tattoos, wigs
Props and set dressing
Hand props used by characters
Set dressing the camera will see, hero items, practical lamps
Locations and sets
Practical location vs built set
Notes on access, power, sound, and control
Geography the story needs: windows, stairs, views, doors
Picture vehicles and other vehicles
Count, type, driven or parked, hero or background
Animals and livestock
Species, trainers, legal and welfare requirements
SFX and mechanical FX
Breakaway glass, squibs, rain bars, wind, smoke, fire, gags that need reset time
VFX
Screen replacements, set extensions, markers, clean plates, HDRI, lidar
Sound and music on set
MOS, playback music, source radios, practical effects that create noise
Special equipment
Drone, crane, steadicam, underwater housing, process trailer, specialty lenses
Security and crowd control
Guards, lockups, street closure, police officer on site
Seasonality and weather
Dawn or golden hour, rain dependence, snow continuity
Scheduling helpers
INT/EXT, DAY/NIGHT, company move, build and strike notes, estimated setup time
Everything above should live on the scene’s breakdown sheet and also roll up to department reports.

How the breakdown drives the rest of pre-production
Scheduling: scenes group by set and time of day, heavy days get flagged, company moves become obvious
Budgeting: night premiums, extras, SFX/VFX counts, specialty gear, resets, and travel time stop being guesses
Casting and DOODs: who works which days, when doubles or minors change the plan
Locations: how many days each location is needed, which scenes can be doubled, which require permits
Department prep: art builds, wardrobe racks per day, makeup tests, stunt rehearsals, VFX tests
Safety: risk assessment and medical cover built from the sheet rather than memory.
Best practices from the field
Tag the obvious and the impliedIf the line says “He sets the papers on fire,” add: lighter, papers, fire safety, smoke extraction, SFX, reset time, continuity photos.
Record reason, not just item“Backlit haze to silhouette cast,” “POV on phone screen,” “Hero car needs clean exterior for reflections.”
Track reset and hold timesRain bars, breakaways, and food shots stretch the day.
Flag permits and approvals earlyWeapons, drones, traffic control, public space sound, animal welfare.
Keep continuity linksIf the same prop changes state, mark which scene needs the pristine version and which needs the damaged version.
Update fast when scripts changeSmall rewrites can delete a truckload of prep. Use a tool that propagates changes.
Script breakdowns in LOWERATED: full walkthrough
Your screenshots map well to these steps; I’ll call out where to drop each one.
1) Manual edit view
Open Production Planning → Script Breakdown and click a scene to edit. You’ll see tabs for Overview, Location, Technical, People & Tags, Costs & Status.

What you can record here:
Overview: INT/EXT, day or night, seasonality, page count, priority, complexity, estimated vs actual duration
Location: practical or stage, access, power, sound, parking, rain cover
Technical: SFX, VFX, special equipment, sound notes, safety needs
People & Tags: speaking roles, extras, stunts, doubles, the full element set
Costs & Status: rough estimates, holds, approvals, status badges
2) AI-powered breakdown generation
Select multiple scenes, give the AI a budget range, complexity level, location type, time of day, and special requirements, then generate.

What the AI proposes:
Required elements per scene across categories
Extra flags when your inputs imply risk, for example: “moderate complexity + exterior + dawn” will suggest light-sensitive schedule notes
A first pass at estimated cost bands per category so your top sheet doesn’t start blank
You keep control. Accept, edit, or discard suggestions. Treat this as a jumpstart, then layer your production’s specifics.
3) Scene overview board
The index view shows each scene card with type, pages, priority, complexity, day/night row, “required elements” count, and estimated cost. Filter by status and priority.

Use this board in prep meetings so everyone sees the same picture of load by scene.
4) Exports
Send breakdowns to departments with one click:
CSV for coordinators who want to pivot and merge with inventory sheets
PDF for quick print packs by scene or by department
LRX for handoff inside LOWERATED without losing structure
Filter by scene, status, or priority before export so each department receives relevant pages.

What Lowerated auto-extracts from your script
From scene slugs and dialogue, Lowerated can pull:
INT/EXT and DAY/NIGHT, location names, and page counts
Characters and speaking vs non-speaking
21 element types you’ve been tagging in your scripts: cast, extras, props, set dressing, vehicles, animals, sound cues, SFX/VFX, stunts, special equipment, security, greenery, costumes, makeup, mechanical FX, music, locations, scene notes, optical effects, and more
Counts per scene and totals across the project
These feed your schedule, budget, and DOOD reports as you move forward.
From breakdown to schedule and budget, step by step
Lock critical scenes in the breakdown.
Build a one-liner from scene cards: group by set and time of day.
Generate Day-Out-Of-Days for cast and key elements.
Use counts to adjust the top sheet: nights, extras, heavy SFX/VFX days, company moves.
Share department roll-ups so prep starts with the right numbers.
Create call sheets from the schedule, filtered to the day’s scenes with their element highlights and safety notes.
Lowerated keeps these steps connected so a change in a scene rolls forward.
A worked example
Slug: EXT. COW PASTURE – DAY
Story: A Winnebago breaks down. Two leads argue. A herd crosses the road.
Breakdown should include:
People: 2 speaking, 1 driver double, 10 extras as background passers, 1 animal wrangler with herd count and trainer
Wardrobe: dust continuity for leads, hat for sun control
Props: road cones, map, phone, jumper cables
Vehicles: Winnebago (hero), pickup (background)
SFX: dust kick, heat shimmer practical if available
VFX: background clean plate in case you replace a distant sign
Sound: MOS for drone pass, wild lines for argument in case the wind kills production sound
Special equipment: drone for overhead, polarizer filters
Security: traffic control, safety officer
Weather: hard sun plan, wind backup, note “animal work requires cooler hours”
Schedule: exterior day, golden hour optional for beauty insert, company move to the roadside layby
With Lowerated, most of that is suggested once you select “exterior, day, moderate complexity, vehicles and animals.” You confirm numbers, add suppliers, and tag risk.
Tips to keep your breakdowns reliable
Treat the sheet as a contract with your future self: If the day is heavy, the sheet should show why.
Be explicit about implied extras: Crowd in a lobby usually means security, lockup, and radio channels. Write it.
Call out reset time: Food, blood, rain, smoke, confetti, breakaways. Reset time often drives schedule more than shot count.
Flag legal and approvals: Music playback licenses, brand clearances, local permits, FAA or civil aviation for drones.
Own the versioning: When the draft changes, bump the breakdown version. Lowerated keeps earlier versions so you can show why the day moved.

Boss Tips - Quentin Tarantino
Closing
A script breakdown turns story into workload. It gives each department a clear list, gives producers numbers they can manage, and gives the AD team a schedule that reflects reality. Do it carefully and everything downstream gets easier.
Lowerated speeds up the boring parts and keeps all the moving pieces tied together. Select scenes, run an AI pass with your constraints, review the results, add the specifics only your show can know, and export clean reports. The work stays linked to your shot lists, boards, schedule, budget, and call sheets, so you can change one place and stay in sync everywhere else.
Use Lowerated Platform from here: https://platform.lowerated.com




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